Roku Channel ZPTV Premieres Two of Tom’s Feature films!

ZPTV We're on Roku (2)

Hey great news! Add the ZP TV channel to your Roku and watch

Everything Moves Alone and Land of College Prophets for free now!

It’s a nice feeling to have a few of my older films get picked up by ZPTV. Ken Powell helped me re-master Everything Moves Alone and Land of College Prophets last year as a matter of fact. The backyard action/adventure Land of College Prophets (Co-created by Mike Aransky and Phil Guerette) was a pretty popular title at Hollywood Video and Movie Gallery back in the day but it pre-dated any streaming services. So these were films that had a long good run in film festival and home video but since I’ve made several feature films since then I really had to move on. So Roku stations are a pretty great thing and it seems like a decent venue for us Indie filmmakers. If you get a chance have a look, LOCP is available now and EMA should be up soon!


The Dying American Dream: A perspective on Logan (Spoilers)

New York Cinema Radio #234: The Dying American Dream: A perspective on Logan (Spoilers)

This is filmmaker Tom Seymour’s perspective on the film Logan. A film more profound than is had to be Tom makes the case that the flm is really about the dying American Dream, family, Immigration policy and the shrinking middle-class crushed uder the weight of runnaway government and corperate facism. The films will get to you. We” be back Thursday witht he full crew too hear the gang perspective!

New York Cinema Radio gets a Facelift

First of all some of you might be saying hasn’t it been New York Cine for the last four years? Yes that’s true. Well for one thing, we just got to a point where we got exhausted by explaining that cine stood for cinema and a lot of people where pronouncing it New York Sign. That be said we will still occasionally use New York Cine for short. Also we’re getting close to hitting a million listens and we wanted to revamp things a bit. We should have some pretty cool interviews in the next few weeks. Last month I went to the Miami International Science Fiction Film Festival with my friend/composer/producer Tim Kulig and we spoke on a panel about creating web series and how to market them. I was able to record it for the podcast. Another thing I was able to do while I was there was get an Interview with Indie film Legend William Grefe about his amazing film career. So have a look at the new site below!

New York Cinema Radio #226 Interview with Indie film legend William Grefe (Death Curse of Tartu)

From working with a dozen live rattlesnakes on the film Stanley, directing William Shatner in Impulse, making a film with no script (Psychedelic Priest) or even shooting a feature film in seven days (Death Curse of Tartu), Indie film legend William Grefe has had one of the most Interesting film careers we’ve ever heard of. He sat down with Tom Seymour to talk about it all. William also ran the Ivan Tors’ Studio in Miami that produced such classics at Flipper and Gentle Ben but his real passion was exploitation films and he has director over a dozen throughout the years.



More about the NYCR and myself

For those who don’t know we also created a few projects with Troma. The Amazon Prime documentary VHS Massacre and the Troma Now original series Monster Kill. The Bluray will be out soon so that will be exciting. I recently I watched a film called the Greasy Strangler. It was like Wes Anderson did the set and costume design for a John Waters film written by Napoleon Dynamite. So you know, I loved it. In any case I noticed that same distributor FilmRise also put out VHS Massacre and I thought that was really cool. While I was at the Miami FF last month we screened Monster Kill and that seemed like a fitting end to the original series now available on Troma Now! More updates to come!


VHS Massacre Blu-ray coming and I’m turning 40 soon


There is no progress without time and aging is part of it. I’m turning 40 and I guess that’s ok as long as I have a few irons in the fire. As the youngest of three I’ve always felt “younger”, like I didn’t know as much as my brothers or that I was constantly behind. 40 is a kind of standard for admitting that one is middle-aged and it’s a bit of a bummer. My birthday is on January 20th. In that past it has been associated with the presidential inauguration and even sometimes MLK day. For the past 8 years at least it was kind of cool with Obama and all that. This year for my birthday I get a bit of a shit sandwich with the inauguration on Donald Trump. My ninth film co-directed with Ken Powell is coming out on Blu-ray soon and has already been featured on Amazon Prime. The reviews have been solid and I really could not have asked for more. The film VHS Massacre: Cult films and the Decline of Physical Media bares a harsh truth, it is nearly impossible in the U.S. for a low budget indie filmmaker to make a living off the scraps of streaming revenue share. There does come a time, as an artist when you do have to dig in and improve the conditions of your day job even if it takes years. I have been lucky in that, working in a college film department has a tremendous amount of crossover with filmmaking.


Mike Aransky, Tom Seymour and Greg Kissner working for IGN.

So from here you start asking yourself what CAN I do here? In my over 20 years of filmmaking I have always found a way to make and “sell” feature films. I feel like I’m good at creating opportunities. I could get a movie done in a way professional enough to “sell” for distribution (at least contractually) and get them to market. Right now I can’t see a path forward for progress at this point but I could make another one the same way. I’ve done the corporate thing working at CBS, NBC, Fisher Price etc. I’ve worked with the famous Indie film studio Troma Entertainment and Lloyd Kaufman on several projects. It was a dream come true but it’s not something you can make a living on. Even the podcast that I host (New York Cine) with Dave Leute, Ken Powell and James Richardson was a top ten podcast for the third year in a row on Podbean but where do I go from here? Sometimes I have to ask myself, to what end?

That being said I will always make films but now I’m looking at opportunities that are ACTUALLY around me. I’ve been going back to school for about 3 years now. I finished taking two classes the Graduate Center (CUNY SPS). This means just two more classes and I’m finished with another degree, a B.A. in Media and Communication. Also I started the application process for my MFA degree. So with some luck I’ll be starting on that this year. I think about how I want people to think of me and what they would call me. A film director? A teacher? In the summer I’ll start lecturing my first class in the CUNY system. And three years from now when I finish my MFA, I could go from Lecturer to Professor in theory. This is something I’m willing to hard work for. Over the past few years this desire has been slowly growing to a point where I must do this, I must be this. I’m hoping the MFA program with take me in a new direction with my filmmaking. Sometimes in being forced to do projects you really break outside of your comfort zone. Currently I’m a tenured Senior Technician in the CUNY system and although I do teach students in the lab I’m looking forward to running my own classes. I can not help but be obsessed with titles. One thing I like about education is that if you put the time in, do the work, you get the degree. You certainly have more control over things than you do in the success of making and selling and Independent feature. As an artist, if I’m being honest, I made those films for myself and now I want to go to get my MFA for myself. I think we all have to hang in there, don’t let the election get you down, work your opportunities you have or make new ones.

There is no progress without time and aging is part of that, from a brand new baby born, to an old man’s dying breathe. I’m turning 40 and I guess that’s ok as long as I have a few irons in the fire. It also doesn’t hurt that I have an amazing Fiancee  as well.






Autumnal Updates and Such

It’s been a busy few weeks. I recently got to work with my friends Mike Aransky and Greg Kissner for IGN. We covered the New York Comic Con specifically cosplay. So we had the chance to work with some IGN hosts and interview cosplayers like Yaya Han and others. I honestly am not part of that world so I had never heard of those folks. It was hard work, we’d shoot for a few hours, come back and edit and complete a piece of video and go back out to shoot more. We averaged about 3 videos a day. I’ve been doing this kind of work my whole life so I’m not sure why I was so stressed out.

I used to work for CBS and it was similar, you have to finish the editing because the news has to air that night. But I think it reminded me most of my time at Black20 and I think that’s why I was a little rattled. Those three years and cranking out comedy content, getting paid next to nothing, drinking too much coffee to keep our concentration. I just wasn’t sure I ever wanted to do that kind of work again but it was actually satisfying. It was a bit outside of my comfort zone though. I much prefer working on a feature film over the course of a few years. My latest documentary (co-directed by Ken Powell) , now available on Amazon Prime entitled VHS Massacre, seems to be doing very well. It’s about the video store era and the decline of physical media.

In any case Greg Kissner and I did some solid work at IGN equating to several million views and that feels like a victory to me. It was good to hang out with Mike Aransky with who I directed several feature films in the past including the 2001 film Everything Moves Alone which is now on VHX and YouTube and Amazon for those who want to have a watch. Mike had told me that every now and then someone at IGN brings up a few of the mashups videos that Mike, Greg and I created and Black20 and it puts a smile on my face.Watch Mantis and The Spirit I remember being particularly ridiculous.

A few people hit me up on Twitter about the Bikini Bloodbath Films. I always thought they were kinda of funny. Though this scene sort of reminds me why I don’t act that much anymore. It’s cool to know that people are still watching them. It may be thanks to Film Rise that seems to be working with our film distributor MVD to get them out. I actually discovered the Film Rise Roku Channel which has some pretty great free horror titles.

This year I want to look for a new project. A few things have been put on the back burner for now including Skate Nazi’s Must Die (A script I completed) and also working with Troma on the Tales from the Crapper Series. So I’m leaning towards finding a new documentary subject to work on. I’d like to find a real mystery to explore. Maybe something New York based. I love that Resurrect Dead Documentary. The whole film is actually available on Vimeo.  Something like this could be great if I could stumble upon it.

My “Surf Nazis Must Die” Sequel Script

I’ve been working with Peter George to try to develop a sequel to the 1987 cult classic Surf Nazis Must Die hopefully with Troma but it’s pretty early in the process. I finished writing the script, Skate Nazis Must Die, a sequel involving post apocalyptic skateboard gangs in New York. It might happen, it might not but it’s been fun to try to do it. So it’s in development as they say. Peter is a very cool guy that I got to Interview on my podcast New York Cine Radio last month. Even if nothing comes from it, it’s been great to pitch the idea to Lloyd Kaufman and work with Peter.

A few weeks back Ken Powell and I got to go to Troma and work with Lloyd Kaufman and John Brennan to shoot the Blu-ray Intro for VHS Massacre. It was a lot of fun. The plot of the introduction involved us traveling back in time to stop Lloyd Kaufman from re-investing in VHS Manufacturing in the late eighties. It was a nice send off to the VHS Massacre project and I’m glad to be a part of it.


We did pretty well in the festival circuit. Troma may do one last push and enter a few more festivals and awards shows, Houston Film Festival, Gotham Awards and a few others. We shall see what happens. As far as reviews we’ve done well. Ain’t it Cool called it “A Fantastic Documentary”. So far I think everyone has understood what we were going for in this doc, and that has been the most surprising to me. more reviews below!


On the New York Cine Radio, a podcast network that I run with my friends, James Richardson and I had the change to Interview Indie Film Guru Chris Gore, creator of Film threat Magazine and host of DVDueday on G4 TV! He’s running a Kickstarter to revive Film Threat. We talked about how you can’t review a no-budget Indie film in the same way that you review a 200 million dollars Hollywood flick. You must consider Independent film in my opinion like Minor League Baseball. You might see the best game ever in the minor league and you may see some of those players hit the big time, but you need to have different expectations because it IS more impressive to see something solid with so little resources. In any case please donate to Save Film Threat! Let’s help give Indie Filmmakers a fighting chance to get some good solid Independent media.


Norwich Radical Film Festival – Rooftop Summer Series Our Wicked Lady – Manhattan Film Festival – Cinedelphia Screening – Manhattan Film Festival – Dragon Dreaming Film Festival – Miami Film Festival WINNER! – Galley 5 Screening Series



VHS Massacre and Troma’s Monster Kill Updates.

Things Go. Monster Kill The Troma Now original series that I created is on it’s fourth episode. Troma Entertainment is working with Film Rise so our Documentary VHS Massacre is now available for free on Amazon Prime! This is a pretty good feeling, I’ve had films on Netflix and Amazon on Demand but the fact that anyone can watch it on Prime is pretty awesome.

I just finished up taking another college course. I registered for two classes in the Fall and when those are finished, I’ll only need two more course to complete a new degree. Work goes, I can’t wait to take some time off this month and do some writing, I started working on a project that could really be great but it’s too early to really talk about.

New York Cine Radio continues to expand. We’re a network at this point with shows like New York Cine, Tribbles and Trilobites and Geek Mutiny and Bit Rot. Summer is usually slow but we seem to be maintaining a decent audience at bout 25,000 listens a month, it’s down from a few years back but it’s still solid. It tough to say if any of this will ever add up to something but at the very least I’m very excited about the Amazon Prime thing.