“Return to Nuke ‘Em High is one of the best films of the year!” -New York Cine Radio
“Return to Nuke ‘Em High is one of the best films of the year!” -New York Cine Radio
So I just now I plunked the last scene into what is a completed rough-cut of the Documentary VHS Massacre. I need to add a lot of B-role and some movie clips but the film is there at a running time of 98 minutes without credits. My hope is to map out the doc, scene by scene and see what can be boiled down, chopped off or reduced in order to get it to 90 minutes and to have a clearer story. I already have a feeling I’m going to be combining some scenes as well. In general I think the doc will be very much of interest to lovers of cult films. We have folks from Troll 2, The Room, Birdemic, Toxic Avenger, Samurai Cop, Monstervision, Galactic Gigolo, Bikini Bloodbath and many others. There is so much work to do to bring a film from rough-cut to a “fine cut” but I think it’s safe to say this should be a fun watch. It will probably be about 6 months before I have a fine cut but I’m happy in the sense that I believe the doc is fun to watch, relevant and has a good story to tell. Below is a list of folks featured in the doc. Thanks to those involved!
THIS IS SO COOL! A feature film that I directed with Jonathan Gorman “Rudyard Kipling’s Mark of the Beast” won the Platinum Remi Award, the festivals highest honor for “Best Independent Video”. Worldfest Houston is one of the largest and oldest film festivals in the world! I’m so excited about this. Below is a picture of when Ang Lee won his first Remi Award. Here’s a link to an article about when Steven Spielberg first won a Remi and Worldfest for “Amblin”. This is so cool!
It has truly been an honor to be included in the Worldfest Houston Legacy. To have won a Platinum award and to be named as a winner alongside giants like Ridley Scott, Steven Spielberg and the Coen Brothers has been a highlight in my career and I will be forever thankful. Thanks very much to Hunter Todd and the Worldfest Crew! I will work even harder in my film career to live up to this honor.
This Saturday Worldfest Houston will make the announcement that Rudyard Kipling’s Mark of the Beast, a feature film that I directed with Jon Gorman will receive a Remi award from Worldfest Houston. For me personally this is a sea change for me as a filmmaker. Many of you may feel like I’m being dramatic but you have to understand where I’m coming from. After years of entering film festivals like Sundance, Slamdance, Tribeca, Worldfest, New York Horror and other large festivals, I finally have cracked it. Don’t get me wrong over the past 15 years I’ve I accrued 16 film festivals wins, from places like Silk City, Bare Bones International, Connecticut Screening Room, New York B-movie FF, New Haven Underground and other places and I’ve been an official selection at California Indie Fest, New York International, Boston Underground, Hoboken International FF and probably 20 others festivals. However the Remi is important to me mainly because Worldfest Houston is one of the oldest film festivals in the world and it’s alumni is incredible. For instance Steven Spielberg, George Lucas, The Coen Brothers, Ridley Scott, Robert Rodriguez, Spike Lee, Oliver Stone, Ang Lee and David Lynch all won there first awards at Worldfest Houston.
The festival has been around since the 1960’s and I would call it the Roger Corman of film festivals. It’s not Sundance but they can spot talent like no other festival out there. Now I realize just because I won a Remi doesn’t mean that suddenly I’m a big deal or something but to be a part of this legacy means so much to me at this point in my career. Most of those famous filmmakers were probably ten years younger than I am now when they won their awards at Worldfest, but to be honest I don’t care. I realize I’ll never be Ridley Scott but I know now that I am good enough at what I do to be celebrated by one of the longest running film festivals in history that has a tremendous ability for spotting talent.
This win allows me to say fare well to Mark of Beast and lay it to rest knowing that I did everything in my power to push the film. I submitted the film in Blu-ray format and it occurred to me that the folks at Worldfest Houston are the only ones that ever saw my film at the resolution and quality that it was meant to be seen in. Thanks to everyone involved in the making of Mark of the Beast, for anyone who has ever edited and released a film they probably know that the film shoot is the easiest part and it’s not easy at all. It’s good to know it was worth it at least for me.
“Fateful Findings is the best film of the year….and more epic than Noah!” – New York Cine Radio
So some interesting things have happened in the last few weeks. With Ellen Muth’s big success on the new show Hannibal (NBC network) it’s really boosted the popularity of my film Mark of the Beast that was put out in 2012 and stars Ellen Muth among others like Debbie Rochon and Dick boland. If you know anything about the IMDBpro ratings systems it allows you to see if your film has increased in popularity at least on that website. It’s good news, we’re nearly sold out of our first run of DVD’s and although the streaming deals for that film have so far been in foreign territories, it should be hitting Amazon on Demand at some point. Mark of the Beast did fairly well in the festival circuit. Some of the highlights were getting nominated as best director along with my co-director Jon Gorman at Maverick Movie Awards, Leigh Radziwon picked up a win for Best Makeup there as well. We screened at the New England Undergound FF, Syracuse Horror FF, NY New Filmmakers, Bare Bones International and a few others but I wasn’t quite content so I entered Worldfest Houston which is the oldest film festival in the U.S. In the next few weeks I’ll find out if MOTB made the cut.
I’m still editing my new feature length documentary that I’m teaming up with Ken Powell of New York Cine Radio to do. It’s running about 90 minutes with about 90 percent of the footage in place. It’s going to need some major tweaking. This is my 9th feature film but it is my first feature length documentary so I just need to make sure that it is not boring of all things. We were six months into shooting the documentary when the first of a slew of VHS documentaries came out but I think our doc VHS Massacre definitely has something to offer. It’s more about the decline of physical media and seen through cult films. I’m hoping it will do well. It’s been a rough year so far, works been tough, winter won’t seem to throwing in the towel and in some ways I feel like I might be stagnating a bit but recently I’ve gone back to college to finish off another degree at CUNY. It will take forever but I think it’s just something I need to do for myself.
The New York Cine Radio Show is going strong, we’re still getting about 11,000 feed hits a months and The New York Cine Drive-in (our new YouTube channel) is starting to pick up pace. We hit a snag recently. I posted It’s a Wonderful Life on our channel, a film that most people have seen specifically because it is in the public domain or least it had been for about 30 years. A few years back Paramount through their disgusting copyright trolls have some how pulled it back out of public domain. So a film that belonged to the public and only got popular because of it’s public domain status is now somehow not public domain. There is no way I can really fight back against this. So we now have a strike on our YouTube account which makes things a bit more difficult to maintain. We can’t use Google Hangouts for six months, so it affects the live element of our show. Over the past few years we’ve had some amazing guests, from Joe Bob Briggs to Greg Sestero and Juliette Danielle (The Room), to Lloyd Kaufman and Debbie Rochon of Troma fame. The progress on the podcast has been steady but it never really seems fast enough for my taste. We recently started a little spin off podcast called Bit Rot Radio in which and review Google Play and Droid Market games on the Ouya game system (which I really like actually) We’ve also now offered the podcast in both Radio and Video formats. So Tuesday on iTunes you’ll see New York Cine Radio episode #111 and then on Friday you’ll see New York Cine Video episode #111. It’s the same thing with Bit Rot Radio/Video. This week on the show we checked out some of the random VHS tapes that we found around the city, one of my favorites was a religious dieting video and the “classic” Munchie Strikes Back. See the show here, hear the show here or check it out at any of the other places below.