So I’m working on the follow up to the VHS Massacre documentary with Kenneth Powell. That film was shot from early 2012 until 2014 and released in 2016. A lot has changed since then and lately I’ve been trying to put my finger on it. Recently we got some great footage from the Last Blockbuster in the U.S. located in Bend, Oregon courtesy of producer Tom Poirier. It made me think of how Blockbuster starved out independent video stores and in turn, they starved out a number of exploitation filmmakers. You couldn’t see certain films that pushed the envelope in most Blockbuster Videos. For the most part Troma films, rare films, certain exploitation films and adult films were simply not available. Blockbuster was a family store and so they just didn’t carry certain titles. They certainly wanted to monopolize the industry and I think a side result was a deep censoring of certain films to the public and that is never good. So just as people got the freedom for the first time to rent the films at a reasonable price, certain films was quickly excluded. In a new interview I spoke with my friend Professor James Richardson about his favorite exploitation films and why they were important.
So now that Blockbuster Video is in the past (sort of) what has changed? I’d say independent films are being starved out in a different way. Be it through predatory distribution contracts that never pay out, being banned or blocked from premier streaming sites, or simply being paid pennies on the dollar from YouTube. (I once calculated that you have the same odds of playing in the NBA versus making six figures a year on YouTube) to make things worse YouTube recently kicked thousands of channels off of the partnership program cutting them out of the money making process altogether. In a recent interview with Debbie Rochon she speaks of her horror film Model Hunger being banned from major streaming sites because of graphic violence. Ironically I can watch all of the Human Centipede films on various formats. Why is this? Money and influence of course. Even though Debbie Rochon’s film model hunger starred horror icon Lynn Lowry (Crazies,Shivers), it was low budget and so it was harder to push back.
Lloyd Kaufman himself will tell you that Netflix was built on the backs of low-budget filmmakers like Debbie or Troma Studios and their nearly 1,000 available titles. I even had a few titles on Netflix like Land of College Prophets in there in early 2000’s. Now of course we have all been kicked out. We were good enough for them as they were building their company but now they don’t need us. This a theme that seems to repeat over and over for indie filmmakers. So right now Prime Video and iTunes still have their door open to independent content so that is a light at the end of the tunnel. Though Prime to me is more promising. They have a massive subscriber base and there may be more of a chance that people hear about your film on the web and watch it on Prime without paying a separate rental fee.
So the new doc is going to be about modern censorship of Independent and exploitation films. We may dabble with origin of film censorship in the U.S. for instance the banning films of prize fighting films in the late 19th century, pre-code and post-code and so on. The main focus however will talk about the risks of making exploitation film today. Ex Massacre I’m calling the film. I have about 40 minutes roughed out but I need some more interviews for sure. I’m starting to book them now.
All this to say I’m excited to be working on a new project and still grateful for the response to my last feature length documentary VHS Massacre. To be honest that’s why I’m doing the new one! There are still people who post pictures, videos, tweet or even drop us a line to tell us they liked the film. This has been happening for about three years now. To have ANY lasting impact in 2018 to me feels like a miracle.
I went to New York Comic Con this year. I stop by the Troma Entertainment booth every time I attend. Mostly because I’m a fan. I like to pick out a few new blu-rays I’ve never heard of. Some times they are pretty out there and offensive but sometimes I honestly like to be shocked. You are watching a spectacle and that can be exciting! I wouldn’t want to censor that. It’s easy enough to avoid material like that and that’s a powerful form of protest to simply not buy or watch more of those films. So it upsets me when people try to go after filmmakers on social media. It crosses the line of trying to destroy the person rather than boycott the art. Some films should be fucked up, if that freedom becomes censored through the government or even worse, the public, then ours is a republic in crisis… and we may be there already.
That being said thanks to everyone for making VHS Massacre possibly one of the best received films of my career! The last time I spoke with Lloyd Kaufman he said that VHS Massacre was a best seller for Troma Entertainment. The last time that happened to me was about 15 years ago for a film called Land of College Prophets. Thanks ya’ll! Happy Thanks Giving! More to come soon!
More news to come!