I recently created a micro-doc entitled Artifact that explores the strange overlap between action figures and religious statuettes. I believe it went well so I may working on a another project this year. The jury is out on whether this will be feature length or not. I always tend to lean that way because it is typically a more valuable property that can be formerly distributed on venues like Amazon Prime, Netflix and such. There is something to be said for creating a short film and entering the film festival circuit. For one thing, the entry fees are cheaper, secondly some film festivals like to play more shorts than features and I can understand why. For instance I entered some festivals last week and I’m already a semi-finalist at the San Mauro Film Festival in Italy. Playing a feature film is a much larger commitment for a festival because typically their time is limited. In most cases they are paying for the venue or they are doing it as a hobby. Making a short version could be a great way to test the waters. I’m planing to do a lot of experimenting this year by entering different awards shows, contests and film festivals. I have always been fascinated by what a person can do without a manager, producers rep or P.R. company. Finding the cracks in the system is interesting to me. As a matter of fact I’ve entered the Telly’s and Webby Awards with two different projects. So I’m excited to see if I can win!
What I can’t stand to admit is that the entertainment business is in fact a BUSINESS. Although I’ve had producers reps and distributors throughout my career I don’t believe I’ve made a ton of money for anyone in particular with my own films. I’ve made the films that I wanted to make and I’ve helped friends create them as well but the days of a low-budget movies killing at the box-office are incredibly rare. The films of Neil Breen or Tommy Wisaeu come to mind. So the point is, that if you can’t make a studio a lot of money with a film, it may be hard to move up the ladder. Collectively I’ve spent years at places like CBS, NBC, Fisher Price, IGN, College Humor using my creative energy to make their content and I was good at it, I made them money but I was also left creatively exhausted with little energy for my own stuff. So it took a while to actually work with a film studio on a feature film and a series (VHS Massacre, Monster Kill) and that studio was Troma Entertainment. They let me do what I wanted but again I seriously don’t think those projects will make them any money. I’m incredible proud of working with Troma. Some people wouldn’t be but they are the longest running Independent film studio in history, even longer running than Roger Corman’s current company. So again, a personal victory but not much of a path to something else.
The web seems to have devolved into a place where trashing a film is the only way to talk about it. So I sometimes wonder if it’s even a good move to make another film, of course that’s never stopped me in the past. So on the fringes of American independent cinema many of the films are passion projects with people like me vying for recognition in the artist community and there is great value in that but little money and we can’t seem to help tearing each other down.